20 Ways to Keep Evolving as a Musician

I started to learn to play music properly when I was twenty. I bought the books, practiced for an hour or two a day, and got some lessons. I could often sense my progress, but not always. There was something new to learn each day, and from time to time I could tell my playing jumped up to the next level. But that was over half a lifetime ago, and though music has always been an important part of my life since then, I haven’t always had the time to play regularly.

Even when you are working on music every day – for example, in a home studio – it’s possible to become distant to your instrument. There are so many ways of generating music – sampling and looping, arpeggiators, and other music-generating software – that composers might just start to lose touch with the tactile joy of creating music with their own fingers, mouths and feet.

If your music playing becomes erratic and irregular, your technique suffers and you become rusty. For some people, it is a condition they never recover from, and being a musician becomes a thing of the past. For others it is just a temporary condition in the ups and downs of life. Some musicians have the discipline and commitment to never suffer from this.

What can we do over the years to maintain our skill and enjoyment of playing music? Despite the ups and downs over the years, I have a sense that my playing has continued to improve and evolve. Here are twenty things that have helped me to keep playing better.

1. Play a Bit of Music as Often as you Can

One day last year my son arrived for a visit as I was playing piano. “You’ve been practicing, Dad.” That week I had been playing at least twenty or thirty minutes most days – a rare privilege in my busy life. I asked him how he could tell. “When you’ve been practicing, you start playing extra notes between the usual ones, and I can hear new rhythms.”

Music is a language. We learn to express ourselves better in a language by using it every day. And it’s not just what we say, but how we say it. A little bit of playing every day doesn’t just keep our skills with our instrument current. It gives us fresh daily opportunities to learn to express new and relevant thoughts and feelings in our music.

2. Occasionally Put in Some Big Hours

As I look back over the decades, most of the quantum leaps in my playing have come after periods of intense work. There have been periods of my life where I have found time and motivation, and worked hard on my music for six or eight hours a day. Those periods have paid off, and have had an almost magic effect on my playing.

On the weekend, I caught up with Grant, a drummer friend I haven’t seen in ten years. He was a teenager last time I saw him, and his skill and kit have grown considerably over those years.

Grant told me of an opportunity he had a few years ago of gigging and touring with a pretty good band. His friends thought he was too rusty, and they were probably right. But Grant started putting in long eight-hour days on the kit, and when the band was ready to tour, he was at his best.

Opportunities to put in big hours of practice don’t come along often, but if you grab the opportunity, the lessons you learn will influence your playing for decades.

3. Go Back to Basics

Sometimes I get so focused on playing new grooves and chords and sounds that I forget the basics. It’s good to revisit those basic foundational lessons from time to time.

This week I’ve started to practice scales again. I used to play them well, but my technique has become a bit sloppy and lazy over the years, and now I can’t play them for peanuts. By practicing scales again, I’m hoping to improve my technique, retrain my fingers, and regain a more natural playing action.

Playing along with a metronome is another technique to get back to the basics. Timing can also suffer from sloppiness, and a metronome can demonstrate that sloppiness, and motivate us to play in better time.

4. Keep It Simple

Sometimes less is more. Removing unneeded notes from our playing can clarify a piece of music and give it more power. It takes time and reflection to achieve that.

Gary Brooker, a well-known keyboard player in the 80s, once described jazz pianist Count Basie’s playing. “The older he gets, the fewer notes he plays, yet each one tells beautifully.” Count Basie made a decision that he would go for telling simplicity than dazzling, busy playing. The same might improve our playing.

5. Try to Apply What You Know on One Instrument to Another

I met a piano player years ago who had just started to learn guitar. Rather than learning chord shapes like everyone else, this guy would take what he knew about chords on the piano, and try to work out how to play the same chord on the guitar. He ended up coming up with the open chord shapes we all love and know, but he probably learned something in the process.

Learning a new instrument can be refreshing and fun. It can also help us to see our old instrument in a new way, and understand music in a wider context.

6. Keep a Few Instruments on Hand

My drummer son doesn’t just see himself as a drummer, but a musician. Although playing drums is his first love, he enjoys fiddling with all sorts of instruments.

A couple of years ago, he filled his bedroom with musical instruments, and started to learn how to play them all. He was surrounded by a keyboard, acoustic guitar, bass guitar, clarinet, flute, trumpet, french horn, xylophone and snare drum.

He hasn’t (yet) become an expert at any of the other instruments, but he loves playing them all, and has learned a lot about music in the process. And now his school music teacher thinks of him as a normal musician, not just a percussionist!

7. Jam with Others

Playing with other people is fun, and makes you a more versatile musician. Listen to the others, and incorporate their style into your own playing. Mimic one another. Ask one another how they accomplish those little things that impress you.

8. Experiment with Different Styles

We all have styles of music that we enjoy, but always playing in the same style will get you in a rut.

Listen to other styles of music, and work out the ingredients of that style. You might discover some new flavors that you enjoy, and can incorporate into your playing.

9. Learn Some Riffs

Riffs and licks are useful. You can learn a bunch of them in a few keys, and pull them out to spice up a song. If you put them together in different combinations in different chord progressions with different tempos, you can achieve amazing variety with just a few licks. One lead guitar book that I have is simply a book of different riffs.

Gary Brooker also described actor Dudley Moore’s piano playing. “To assimilate the style of the greats you have to be technically superb. I suspect that many people achieve this to a great extent by relying on a repertoire of ‘licks’ which they insert in their playing. Dudley Moore is an example; he is an excellent jazz pianist, and he introduces a selection of licks into his playing. A lot of top guitarists are like that.”

10. Get Some Lessons

It’s often hard to find time for ongoing lessons, but if you find the right teacher, even short lessons are valuable.

Recently my guitar guru friend Ryan met a talented session guitar player. Ryan was amazed with his playing, and wanted to learn. The guy agreed to give him some lessons, which have happened from time to time over a few months. I don’t know how long the lessons have been, but Ryan has spent many hours a week practicing what the guy taught him. That has been the real value. Most of the lessons have revolved around new ways to play scales on a guitar for better lead playing.

11. Buy a Book

If you can’t find a teacher in person, buy a book! Just reading it isn’t enough. You need to practice what it says.

One of the most useful books I have bought is “The Guitar Handbook”, and practicing some of the things in that book have made a huge difference in my playing.

12. Imitate Others

If you hear something you like on an album, try to work out how they did it. Play along with the album and copy what they are doing.

I remember a story Tommy Emmanuel told about learning music. There was a great guitar part on a record that he really liked. He was trying to work out what the guy was doing, but it was too fast. He ended up slowing down the record by putting some coins on top of it, and eventually working out the part.

13. Buy a New Instrument

Practice is often about motivation, and there is nothing so motivating as a new toy!

One of those times in my life when I was motivated to practice eight hours a day was after buying my Ovation Elite. I’ve had that guitar for twenty years now, and still love it.

14. And Make It a Good One

Buy a good quality musical instrument. If you buy a cheap one, you’ll never be able to tell whether it’s you that sounds bad or the instrument!

We’ve all heard the saying, “A good workman never blames his tools.” That’s because a good workman makes sure he has good tools. The same applies to a musician.

15. Learn Some Theory

One way to play music better is to understand more about music. Learning music theory doesn’t just help you win Trivial Pursuit, it can effect the way you play, and give you more options.

Learn about scales and how they relate to chords, the different types and flavors of chords, and how to transpose from one key to another. Learning to read music can open up more resources to you.

16. Become More Fussy

Nothing can hinder your improvement more than being too easily satisfied with your playing. Become your worst critic! You don’t want to discourage yourself, but you do want to pull your playing apart to work out what needs to improve.

17. Become Less Fussy

On the other hand, perfectionism can also stop you improving. You might be so focused on improving one aspect of your playing, that you’ve lost the big picture of the song. For example, by focusing on your fingering, you might not realize how bad your timing is.

Usually more relaxed playing sounds better. And if you don’t relax, you won’t enjoy yourself. Isn’t that the main point?

18. Learn New Ways of Embellishing

Earlier we talked about the value of simplifying. Embellishment is like the icing on the cake. Too much, and your playing becomes sickly, but with just enough, your playing is tastier.

On a guitar, learn things like slides, bends, hammer-ons and pull-offs. On a keyboard, incorporate grace notes and little runs into your playing.

19. Search YouTube for Some Tutorials

While books are useful, videos let you see and hear what the teacher is talking about. Search YouTube for “music lesson,” “guitar tutorial,” “how to play piano,” and more.

20. Record Yourself, Then Become Your Own Critic

Listening to a recording of your playing is like listening to a recording of your own voice. You sound totally different to what you expect. When you are playing, you are partly hearing what you intended to play, and the fact that you are involved in making the music changes your perspective.

Hearing a recording of your music could give you a pleasant surprise, or an embarrassing shock. You’ll have to try it to find out. You will be better able to hear if you are in time, and your mistakes will sound amplified. You’ll be able to hear things in your playing that need to be improved.

So now it’s over to you. How do you keep improving and evolving as a musician?

  • Steve L

    Recording myself is a great way as I hear that Im sounding okay but it forces me to play the same over and over until Im happy, computers are great!
    Though I find being to prefectionist with my music eventually makes me stop, as I can never get as good as I want or should be. A goal always helps me focus, such as an up coming live gig or setting myself a goal to play an entire piece of music that I admire.

  • speedy

    Hello,
    Nice tutorial, i have some thing to ask

    Can someone help me?
    I wanna learn music (i’m a complete beginner) in my free time,and the problem is i cannot go to classes.
    Is there some way to learn music online (from the basics).

    Thank You

    • http://www.presidiacreative.com/ Eric Shafer

      Speedy: The best method I’ve found quite frankly is to pick up a book on music theory and read through it. There are a lot of good beginner theory books out there, starting with basic note reading and rhythms, then moving to song dynamics, chords, transposing and various other topics. That, and practicing an instrument are probably the two best ways to learn. Then, once you’ve got a good base in that, you can start reading some composition books.

      I know Berklee College of Music offers some online courses in music theory, beyond that I’m not too sure about online methods, try Google and see what you find.

      • speedy

        Eric Shafer:
        Thanks for taking time to answer my question.I will definitely try it out.
        Thanks again.

    • http://myspace.com/velodious Mike

      Check out this website for some gears and cogs of music theory:

      http://musictheory.net/index.html

    • http://myspace.com/velodious Mike

      Also, start with a piano or small keyboard. It’s easy to visualize the theory behind it.

  • Thomas

    I agree with your points!
    I play guitar for about 16 Years now, but my skills improved rapidly as I started to play other instruments like Piano, Bass and Djembe.
    I try to make music every day, but its not important to play guitar every day, the main thing is to make music on a real instrument as often as you can. I record myself very often and jam with myself by making all the tracks without using loops.
    My next goal is to learn to sing and play drums.
    The vocal part is hard for me, but I think, it’s very important to sing when you can play guitar. It is so sad when you can play some classic songs with your friends on the beach, but cannot sing them :).

  • http://www.myspace.com/ascensiondaymusic Edward Lee

    excellent! excellent!

    I’ve been playing music now for 25 years, and I have experienced all of the above at least once. to me, #15 is the most critical. any serious musicans would do well to make this THE priority.

  • kapONE

    really down to earth message!…

    we all need that time to time….

    kapz

  • http://www.presidiacreative.com/ Eric Shafer

    Nice tips Adrian, I’m definitely on the same path…not formally music trained but starting to learn now that I’m 20. I’ve always been more technical than artistic although that’s starting to change, so hopefully I can keep improving. The really hard thing is when you get stuck on something (for me, right now, it’s proper finger shifting while playing piano).

    Looking forward to more articles from you in the future.

  • VicDiesel

    Talk about Freudian. I thought #12 said “Intimidate others”.

    Hey, sometimes the desire to outdo your peers can be a strong incentive to become a lot better….

  • http://kev-on-music.blogspot.com kev on music

    fair enough

  • pg-13

    recently i bought an analog synth. i have other digital synths and practice sometimes but ever since i got the real deal i have been practing and improving way way more. something about the sound of the instrument has inspired a whole new approach to melody as well.

    then…last night, I decided for the first time in my life that i would pick up a guitar and incorporate it into my new song…It came out surprisingly good, and all i did was play a few notes at a time and overdub. I discovered that by playing different instruments I will be a stronger musician…now Im getting a bass guitar too.

  • http://www.mypsace.com/velodious Mike

    Wow! What a great list. I am a high school band teacher, I will be posting this in my room. A good list of reminders for myself as well. It’s so easy to lose sight of the basics when you work with music every day.

  • Summmerset

    Wow! this list is like a bible for all musicians, not only for wannabes
    thanks for putting it all together

  • http://www.adriantry.com Adrian Try
    Author

    Hi everyone. I enjoyed reading all of your comments, and really appreciate the feedback. Thanks!

  • http://blog.teledyn.com mrG

    I love this tutorial, probably because it is the same advice I give out ;)

    I would make only one change, to #8: Learn more about ALL the styles you meet. Don’t be shallow and superficial, earnestly try to get inside the music and find out what makes it tick. Even if you don’t like the music, ask yourself, “Why do I hate this stuff, yet others think it’s great?” because every CD you find was made because SOMEBODY thought it was worth putting on CD (self-produced CD’s excepted ;)

    While working on the landmark Lanquidity recording, Sun Ra had the Arkestra members listen to Donna Summers over and over and over. The band complained. Sonny told them, “This corny shit is somebody’s dreams and hopes and aspirations. Don’t be so hip.’

  • http://blog.teledyn.com mrG

    and for those who have the 20 point method down, here’s the Master Class, some transcribed random bits of advice from Thelonious Monk:

    Just because you’re not a drummer, doesn’t mean you don’t have to keep time.

    Pat your foot and sing the melody in your head, when you play.

    Stop playing all those weird notes (that bullshit), play the melody!

    Make the drummer sound good.

    Discrimination is important.

    You’ve got to dig it to dig it, you dig?

    ALL REET!

    Always know….(MONK)

    It must be always night, otherwise they wouldn’t need the lights.

    Let’s lift the band stand!!

    I want to avoid the hecklers.

    Don’t play the piano part, I’m playing that. Don’t listen to me. I’m supposed to be accompanying you!

    The inside of the tune (the bridge) is the part that makes the outside sound good.

    Don’t play everything (or every time); let some things go by. Some music just imagined. What you don’t play can be more important that what you do.

    A note can be small as a pin or as big as the world, it depends on your imagination.

    Stay in shape! Sometimes a musician waits for a gig, and when it comes, he’s out of shape and can’t make it.

    When you’re swinging, swing some more.

    (What should we wear tonight? Sharp as possible!)

    Always leave them wanting more.

    Don’t sound anybody for a gig, just be on the scene. These pieces were written so as to have something to play and get cats interested enough to come to rehearsal.

    You’ve got it! If you don’t want to play, tell a joke or dance, but in any case, you got it! (To a drummer who didn’t want to solo)

    Whatever you think can’t be done, somebody will come along and do it. A genius is the one most like himself.

    They tried to get me to hate white people, but someone would always come along and spoil it.

  • http://www.marksteven.co.nz Mark Steven

    Cool article, thanks!

    I’ve been playing keys for 30 years now, and I just had my first gig on BASS this last weekend . . . it went down really well, and during my personal rehearsal time, I learned a lot which will apply to my keyboard playing . . . then there’s the drums, but I’m not ready to go there just yet :)

    Keep up the good work!

  • RAN

    Brilliant, I really appreciate the info and advise, I seem to be stuck in a few of these phases and am happy to see that there is a an easy way out..

    Best of luck in future endeavors.

  • http://halfstepup.com Kristian

    Or, instead of YouTube, try halfstepup.com for tutorials….

  • Martin

    Briliant article, thanks!

  • ustad

    This is fuckin too good of a lesson….Thanks a lot for these invaluable points for all musicians…a great fuckin help…..I am a drummer myself and ur input will be of great fuckin help…..

  • i0_

    woww i love this post.