7 Places to Find Inspiration for Songs
Jun 4th in General by Adrian Try
Where do you find inspiration? It is as intangible and elusive as a ghost. You know when you have it, and can’t manufacture it when you don’t. Without it, creative work is a chore, and often a fuitless one. With it, magic happens.
The question of where inspiration comes from interests me, and over the years I’ve kept notes about where the inspiration for successful songs has come from. It has been found in many and varied places. Most of all, it comes from real life - especially from sincere insights into life truths, and emotional responses to events and relationships. Some artists seem to have discovered ways to help the creative process, and inspire inspiration.
Adrian is writer and editor for Audiotuts+ and the AudioJungle blog. He has been playing keys and acoustic guitar for three decades, and has six kids. Follow him on Twitter at @audiotuts.
Here are 7 places to find inspiration for songs:
1. A Logical Process
Jimmy Webb has written some classic songs, including “By the Time I Get to Phoenix”, “Up, Up and Away” and “Macarthur Park”. His songs have been recorded or performed by Glen Campbell, The 5th Dimension, Frank Sinatra, Elvis Presley, and Bobby Goldsboro, among others.
He always believed that he wrote songs by instinct and by what felt right, until someone asked the question: “How do you write your songs?” As he thought about the answer to that question, he realised that he usually followed a logical process, at least in the early stages of writing songs.
After deciding on the type of song to write (ballad, rhythm and blues, rock), Webb next decides on the title of the song. The title serves as an inspiration for the rest of the song. But where does the inspiration for the title come from? All over the place!
Jimmy has found song titles in everyday speech, familiar phrases, an interesting turn of a phrase, intense emotions, deeply felt convictions, a pleasant place or thing, and a friend’s insight into a problem or feeling. The use of a familiar phrase or everyday saying in the title can increase the possibility of people relating to the song, and it becoming popular.
After choosing a title, Webb then thinks about the form of the song - how to structure the verse, chorus and bridge of the song - but leaving room for the song to go where it wants to. After that, he writes the song, normally the melody first, then the lyrics.
2. Love and a Broken Heart
But Jimmy Webb didn’t start writing songs with a formula. His first song came from a broken heart: “When I was thirteen I saw my sweetheart sipping slurpies at the Dairy Queen with a rival and I went home and wrote my first song.”
Songs about broken hearts have almost become a cliche. But they continue to be written because hearts continue to be broken, and we all relate to that feeling of lostness and aloneness. We also relate to love songs because they express strong feelings that we want to hang on to, and remind us of past experiences.
3. A Pregnant Phrase
Bob Barratt used to collect song and lyric ideas, and keep them in a long scribbled list on scraps of paper. These ideas later became over 250 songs, sung by the likes of Brigitte Bardot and Danny Williams, and familiar jingles, including the Yellow Pages “Let Your Fingers Do the Walking” jingle.
The ideas that Barratt collected came from life, and could pop up at any time. If he didn’t record them soon after, the ideas would be lost. Some of his song ideas have come from conversations with friends, newspaper headlines, everyday phrases, and plays on words.
His advice was: “A good hook can lead to a good tune, and the lyrics will follow.”
4. Doodling on Piano or Guitar
A melody will often suggest itself to you as you sit playing a chord progression on your keyboard or guitar. Or the mood that your playing elicits may suggest lyric ideas, or a general theme for your song. Or as you play, you might experiment with more colorful chords that give you goosepimples and move your emotions.
“Ebony and Ivory” started to be written when Paul McCartney sat down at a piano and started fiddling in the key of E major. He had a Spike Milligan joke on his mind: “You know, it’s a funny kind of thing - black notes, white notes, and you need to play the two to make harmony, folks.” And as he played some notes, he hit a nice-sounding interval that happened to be made of one black note and one white. The song’s title came to him, and a new song was born.
5. Collaboration
Collaborating with a friend or group of friends who are creative and on the same wavelength can produce unique results you never would have come up with on your own. You may have an idea for a song title, or a chord progression, and your friends may run a totally different way with your ideas than you ever would have dreamed.
Getting comments from friends on a half finished song may spark new ideas, or lead to constructive criticism. Once John Lennon and Paul McCartney had both half finished songs which fitted together perfectly. You never know where collaboration will lead you!
6. Spontaneous Musical Ideas
A song or song idea can write itself almost automatically. You may be driving late at night and a melody idea pops into your head. Perhaps you were humming to yourself without realizing. Perhaps you will wake up one morning with a tune in your head.
The beauty of nature can inspire musical ideas - some of Beethoven’s best melody ideas came while walking through a field. Good moods and bad moods can lead to creative thinking that form the basis of a song.
7. A Person
People inspire songs - especially inspiring people, but also troubled people, people who symbolize a cause or issue, fictional characters, and people we know.
Bernie Taupin’s song “Daniel” (sung by Elton John) was about a person - a Vietnam Vet who returned home after the war, lost his eyesight, and decided to leave America and go to Spain. However, Elton thought the song was too long, and left out the last verse, which leaves the song largely unexplained.
The Beatles’ “Eleanor Rigby” and Moving Pictures’ “What About Me” are about several people in situations that move us. The people may be fictional, but we can all empathize with the situations they find themselves in.
What About You?
If you are serious about songwriting, you need to recognize when inspiration hits, and learn to nurture a sense of inspiration in your own life.
What inspires you? Where has inspiration from your songs come from? What songs that others have written inspire you? Let us know in the comments.
User Comments
( ADD YOURS )Dave June 4th
Great article. Inspiration is all around you, if you choose to see it. I sometimes have those random flashes of inspiration, a few words, a melody or bass line in my head, usually when I’m in the middle of doing something like driving, or first thing in the morning. My biggest problem is getting those ideas down before they’re lost. I’ve tried using small tape recorder, but it’s never where I need it when I need it, or the batteries are dead. If I hit upon something while playing my guitar, The act of turning on the recorder or grabbing a pen and paper interrupts the flow of the idea. I’d like to hear some ways others may be successfully overcoming this problem.
( )Pedro Tavares (Brazil) June 5th
I use the recorder application of my cell phone. It’s always charged and in my pocket so whenever I have an ideia, I record it. Sometimes I’m in a crowded place so I go to the bathroom or some silent place and record the melody or do the guitar sound that popped in my head.
( )Pedro Tavares (Brazil) June 5th
And nice article, Adrian. Thanks
( )Joel Corriveau June 5th
I always love the notion of friendly competition. I was told that Lennon and McCartney were insanely competitive, and drove each other to constantly out-perform themselves.
One might arrive with a new tune, and the other says, “Me too,” and ducks out for a few moments to come up with something, not to appear empty handed.
Their game was (generally) friendly, in that it was mutually beneficial. They split their copyright 50/50.
And if you compare their early and later styles. In the early days, John was the rebel yeller and Paul was the sweet heart. But look at how with the White Album, they were pursuing each other’s strengths. You have Paul ripping vocals on “Helter Skelter”, and John contributing sweet songs like “Julia” and “Good night”.
I’ve read that Paul was pissed about John rushing the release of the Rev 9, not because he didn’t like the style, but because he had been experimenting with tape loops BEFORE John.
Anywho. Great article.
( )Deems June 5th
Really? REALLY? What is with the articles lately? These latest tuts don’t even fit the definition of a tutorial. I don’t come to these sights for an existential read about how inspiration is all around us. I mean, the article is good. But it just doesn’t fit the mold of what AudioTuts is supposed to be all about.
So Adrian, I liked your article, but I am here patiently waiting for a Tut that has to with digital audio. Not an article on where to find inspiration for songwriting or how to deliver a good vocal performance.
( )Joel Falconer June 5th
Deems, we introduced articles on days when we used to publish nothing at all because many people do enjoy them (they’re not meant to fit the definition of a tutorial). The number of tutorials published has not changed as a result and thus it in no way affects your search for tutorials. You still get the same number of tutorials on music and audio (nobody said we publish exclusively on digital audio, btw) and if you don’t want to read the articles you can easily skip them.
A huge chunk of readers appreciate the articles. Just because you don’t doesn’t mean they have no place on the site.
( )Robin June 5th
I enjoy both articles and tutorial. I am looking forward a perfect blend between both of them
//R
Björgvin June 8th
Thanks for the article Adrian. I always enjoy a good read about song writing. I have this book by Joel Hirschhorn called the Complete idiot’s guide to song-writing and it has many of the same points, like title collecting and people watching to spark ideas.
I’m a pretty bad(or impatient really) lyricist so I like to pester my creative writing major friends for lyrics so I can focus on the songs, and sometimes that has created some pretty awesome songs.
I also sometimes find that certain lyrics or certain melodies sound better with a certain instrument. I once got a lyric idea that I just knew had to be written on piano, and although being a bad piano player the song came out great. (I later solicited one of my friends to jazz up the piano part a bit)
Anyway, great article. I love the stuff.
( )Joe Gilder June 9th
If you’re a songwriter, I would recommend taking up journalling. I know, I know. “Dear Diary, I can’t think of a thing to write about. I ate oatmeal for breakfast this morning…” Give it a shot. Take an idea and write about it for a few minutes. Some of my best songs/lyrics came directly from a journal entry.
( )Jason June 10th
Dig the article.
In the past I’ve written down a paraphrased idea of a note progression. A few years ago when Reason 1.0 came out, I transferred all those ‘notes’ into songs. The cool part is I didn’t actually write down any notes, just relative progression. So I can now reinterpret what I developed years ago.
By the way, Reason has finally exorcised most of the tunes dancing in my head! Thank you Propellerheads!
( )Chris Arndt June 20th
I find that sometimes new equipment can trigger new sparks of inspiration when you fiddle around with it. For example, I recently bought a used Synthesizer from the early nineties and just trying out its sounds has led to several song ideas. The same could happen when trying out a new (perhaps more traditional) instrument, an effect unit or whatever.
Another great way get new ideas is to try to write something in the style of another artist or song. I usually do not succeed with this but end up with a pretty cool song in the process anyway
( )Darren June 22nd
great and inspirational in its brake down of starting points for songwriting , like anything else the art of writing is something we must practice to the point where all of the methodology above becomes second nature ….
( )iceblueglow June 27th
sweet article
i mostly of the time follow my intuition while ive my sequencer open.
i sometimes get the inspiration on different kind of things combined. like a certain smell and painting together, once i got inspiration when i dropped 20 coins on my arm from 3 feet high.
inspiration is on all kinds of places where you never look because it sounds insane, but if you live your life in an other way others do, you get inspiration easyer
( )violencia July 5th
man thank you
( )Cz August 18th
JAM! or Beer and couple of drunk friends with guitars
( )Matthew August 23rd
I don’t think that inspiration comes spontaneously very often.
Some people think that inspiration is the beginning of why we do work. I think it is the other way around, we begin to work and actively seek the inspiration. It can be a difficult concept to grasp.
I’m a big fan of freewriting though. =D
( )rboswell September 5th
Freewriting really is the awesome, as far as lyrics go. Just don’t stop moving the pen no matter how silly your ideas seem, just let them evolve naturally. Then go back later and skim through and highlight interesting thoughts and ideas. Another bonus is that it trains your brain for writing. When you start to write all the time then you start thinking in terms of making things sound more interesting.
( )rboswell September 5th
oh my… sorry about “really is the awesome” and any other terrible grammar mistakes. I’m half asleep.
( )Dan September 25th
Thanks for writing this article. The inspiration to write music is sporadic for me at best. It has always been that way. I wish you could harness the Inspiration and bring it out anytime you need.
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