
8 Reasons MIDI is Still Alive and Kicking
Jul 16th in General by Adrian Try“Is MIDI dead?” The question seems to be echoed from forum to forum. MIDI was invented in the early 80s just after I got into music. Back then keyboards were primitive, the personal computer had just been invented, and 640K was enough RAM for anyone. MIDI was a solution that fit like a glove in that world. You might be surprised people are still using it today.
And yet it seems that MIDI is everywhere you look in music recording. We use it in ways that the original engineers never dreamed of or intended, and it looks like MIDI is here to stay. Even if you’re part of the “I don’t do MIDI sequencing – I’m a real musician” club, MIDI may still form a key part of your setup.

Adrian is writer and editor for Audiotuts+ and the AudioJungle blog. He has been playing keys and acoustic guitar for three decades, and has six kids. Follow him on Twitter at @audiotuts.
What makes MIDI so unique and useful?
1. MIDI lets different pieces of hardware and software work together
MIDI is the “musical instrument digital interface”. It was primarily designed to connect different pieces of hardware together. Back then you would use it to interconnect two or three keyboards and a drum machine with your Roland MC500 sequencer. It was a standard, so worked with all brand names, and seemed like magic.
MIDI is still used to connect hardware today, though you’re more likely to use a USB lead to connect your keyboard to your computer for reasons of speed and reduced latency. I still use MIDI leads to connect various digital instruments and sound modules to my controller keyboard.
And these days MIDI timing codes also allow different software programs to communicate together and work as one, allowing your recording software to start external hardware playing, as well as other software programs, for example a drum machine application. This is just one example of how the use of MIDI has been extended.
2. MIDI lets you play and record music using a wide variety of controllers
MIDI separates the sound from the instrument you are playing, allowing you to use a variety of controllers to make music. Weighted keyboards, unweighted keyboards, electronic percussion instruments, MIDI wind instruments and guitar controllers are all available. In addition, MIDI allows you to use external control surfaces with knobs and sliders to do your mixing with. The variety of controllers allow you many options for playing with different feeling and expression.
3. MIDI files are small
There was a shortage of memory and disk space when MIDI was created. The first IBM hard drives were only 5 MB, and space was at a premium. Recording audio wasn’t yet an option, either in terms of storage or processing power. In comparison, MIDI files were fast, tiny, and appropriate.
During the 90s I used MIDI extensively. My small 95 MHz Toshiba Libretto with only 16 MB of RAM was a perfect and portable MIDI sequencer. I took it with me everywhere, and sat it on top of the weighted MIDI keyboards I was playing. Despite the low specs of the computer, it never skipped a beat.
In these days of terabyte drives, the small size of a MIDI file seems like overkill, and it is certainly not as important as it once was. For many years MIDI music has been used on websites (unfortunately), game cartridges, and mobile phones, but even in these areas larger WAV and MP3 files are now acceptable. The small file size is refreshing rather than essential. While recording, source audio files can become huge, and anything that can keep the size down is welcome.
4. MIDI has been extended
One thing that has kept MIDI alive and relevant is that it keeps getting extended. In the early days of electronic keyboards, there was no standard patch mapping of instrument sounds. Sound 25 may have been piano on one keyboard, and pads on another. That made things difficult when you swapped things around – whether you sent your latest MIDI file to a friend with a different keyboard, or just replaced a keyboard or module in your rack with another. The lack of standardization often brought unexpected results.
In 1991, the MIDI standard was extended to become the General MIDI standard. The main change was to standardize 128 patches, so that the instruments on one keyboard would match those on another exactly. This made MIDI more useful – standard MIDI files could be swapped between users, and now many thousands (millions?) are available online.
In time General MIDI was extended to the GS and XG “standards” by Roland and Yamaha respectively, both of whom added additional instruments and effects to the standard.
5. MIDI sequencing
MIDI sequencing is not the same as recording sounds. A sequencer records which notes were played, how hard or fast they were hit, and how long they were held. It’s the modern equivalent of a pianola roll. To hear the music played, you need an instrument to play back what was recorded.
But even though it’s not really recording, it achieves essentially the same thing when it comes to electronic instruments, making it a good starting point for those getting into recording – especially those with old or low-spec computers. And MIDI’s extra flexibility makes it worth considering for many professional applications as well.
6. MIDI is flexible
MIDI sequencing is more flexible than recording in many ways. Here are three of them:
- With MIDI sequencing, you don’t have to decide on the sounds before you record. After you have recorded your piece, it is very simple to change the sound to something completely different.
- If the timing of your playing is a little sloppy, you can quantize a track or region so that it plays perfectly in time.
- If there are minor errors in your playing, or you change your mind about the timing or pitch of one note, you can make adjustments with your mouse without having to record the track again.
7. MIDI plays soundfonts
In the old days, to play back a MIDI sequence you had to connect your computer to a multi-timbral keyboard or sound module. These days all of that can be done using software. There are thousands of soundfonts containing rich instrumental or artificial sounds, some free, and others costing many thousands of dollars. There is a universe of virtual sounds waiting for you to explore.
8. MIDI makes notation easy
Finally, because a standard MIDI file contains the pitch and duration of each note, it is relatively easy for a software program to display this as standard music notation. Many sequencing and digital recording programs are capable of displaying music in this way, or you can use a dedicated notation application if you are serious about printing sheet music professionally.
Now it’s over to you. Is MIDI dead or alive in your studio? How do you use MIDI, and are you a fan?
User Comments
( ADD YOURS )kev on music July 16th
MIDI is Still Alive and Kicking – hell yeah man!:)
( )darren July 17th
I think this missed the point that the REAL reason MIDI is still relevant is VSTi soft-synths.
I really don’t think it’s because of General MIDI
( )Joel Falconer July 17th
I take it you didn’t read much of the article if you think the author missed that
General MIDI, however, is still relevant if you’ve ever composed something in one program and want to collaborate with someone using different software.
( )darren July 22nd
I just re-read the whole piece… again. And came to the same conclusion. Sound Fonts are not softsynth plugs, which are the ONLY reason MIDI is still relevant and I see no reference to them in this article. All of these other things exist and are still relevant because of VSTi.
Most of my work starts as MIDI, so I’m not bashing, but if it weren’t for synths like Omnisphere, Massive, [name your fave], MIDI as a standard would be irrelevant to me. If Yamaha/Steinberg had decided to put its weight behind some other transport over USB, MIDI’d be dead.
(IMHO
)
Joel Falconer July 22nd
Hey Darren, soundfonts often refers to sampled instruments, as opposed to the brand name Sound Fonts. Synthesized instruments still play a big part in the music industry, though VSTi itself is not as common as it once was, but sampled instruments sequenced via a MIDI controller are probably the single most common use of MIDI in the music industry today (at least as far as I’ve seen when working in studios; it could be different elsewhere).
Granted I’m not so much talking about home studio type setups and to be honest I’m not all that qualified to speak on the subject as the majority of my recording experience has occurred in larger studios.
Document 02 July 17th
MIDI is alive… as are partitions. Useful, does the job… and limited. There is just lots of inertia in hard/software, and no standard has emerged to get rid of MIDI and use a more powerful system, at least getting rid of the 128 values for CCs, which is very limiting for filters & mixers, having a cleaner timecode, and a protocol that is easier to implement on computers (if you compare sending MIDI out to sending data over firewire or even USB you’ll notice the CPU consumption is overly high compared to the amount of data sent).
( )MIDI does 90% of the job, but as a standard it is very hard to change both for backwards compatibility issues and just because getting all manufacturers to sit down and create a standard for everyone is impossible, they all prefer trying their own little recipe hoping that they will own next gen standard instead of cooperating and working on the problems at hand.
reaktorplayer July 18th
MIDI is here to stay. Implemented world wide on millions of keyboards and other devices, no one will ever push it away. They are working on a High Def version of MIDI as noted here: http://www.midi.org/news/hd.php They know the problems of MIDI better than anyone else but selling it to this UN of companies must be quite a task.
( )Rolando Gori July 18th
I couldn’t believe my eyes when I had seen the title of this tut. I can’t imagine life without midi. While audio is catching up in terms of manipulation, it’s still light years behind the versatility of midi. Long may it live, actually!
p.s. I’ve only recently starting looking into these tutorials and you guys do a fantastic job at explaining things. Much appreciated!
( )Toby July 18th
Not to mention that MIDI also drives Guitar Hero/Rock Band games!
And Ringtones!!!
( )Björgvin July 20th
Yeah. I really need to get better at using Midi. I’m more into recording audio, but I need to start producing more sounds like organs, woodwinds and brass using my controller.
( )That would definitely put a cooler edge on my folk songs :p
lightsweetcrude July 25th
MIDI is more alive than ever! Even if the interface is going out (replaced by USB, etc) You’re still dealing with MIDI msgs. in all the software synths, and progs. So even though it wearing new ‘clothes’, the building blocks are still there, for sure.
( )Great article! Thanks! :+)
chunter August 3rd
MIDI is alive simply because a consortium of instrument makers haven’t come up with a better standard. Otherwise, it suffers from all the issues that comes from using a computer from 1982 and being limited to 7-bit numbers.
I make 8-bit music sometimes, though, so that’s not a bad thing, it’s just something that needs to be worked around.
( )James "Bucky" Pottschmidt August 4th
MIDI is still relevant for a number of reasons:
1. Unlike USB, MIDI requires no boot-up time, no drivers, no central processer (if you don’t need it), is instantly on, is daisy-chainable, and is relatively glitch free. – All musts, in a live situation.
2. Everything is MIDI compatible: Gear from the 80’s works perfectly with gear bought last year! VST’s and DX-7’s side by side without a single worry! How many other electronic formats can boast that????
3. MIDI is cost effective and budget minded: MIDI doesn’t require you to have enormous amounts of money and high-end gear to set up an effective and useable system. (A cheap Casio keyboard as a controller, and a downloaded standalone VST, and BAM! You’re rockin on a great Hammond B-3! Simple
4. MIDI is useful for non-audio aplications as well: MIDI equipped DMX lighting scenes can be recorded (sequenced) right along side the music. Even in live situations where no sequenced music is involved, Patch changes and setting for practically every piece of gear in the rack or on the floor can be preset with the touch of one button. Lighting scenes, vocal effects, patch changes, relative volumes, instantly. – all with no glitches, no hassles, no elaborate gear.
5. MIDI was designed to have decentralized processing power, which, in a live situation, is much safer: Granted, MIDI has greatly limited bandwidth and speed, but MIDI was designed to let the external hardware do the “heavy lifting” not some central processer and the communication ports. In a live situation, this makes for a much safer setup. If a keyboard or effects unit malfuctions or crashes. No big deal! At best, a simple flick of the power switch and your back in business in 2 seconds! At worst, you’ll be out one piece of gear for the evening. Still the show goes on. (As a bonus, older computers run MIDI sequencing just fine! I can buy pentium 150 laptops for 50 bills or less! I actually have 2 spares with a show loaded on them that I keep behind the rack just in case something REALLY BAD happens.)
Now what happens if your computer with all the processing power centralized, or your USB hub glitches or crashes?? At best, a minute or 2 of silence while you reboot (which on stage will seem like an hour) At worst,….Sorry folks, that’s all for tonight!!! Sure, you too could have a few spare computers behind your rack just in case………At a couple of thousand each!!
Sure MIDI is simple and limited, but thats precisely why it works so well. It pares the information down to its simplest variables and only transmits that. Note on- Note off – how hard- which patch – etc… which in 90% of applications is all you need to transmit. All the unused and unneed complexity of USB and FIREWIRE just opens up your setup to potential problems. But if you need to use USB or FIREWIRE for something, that’s fine too. Like everything else, MIDI is compatible with them as well.
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