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Workshop #263: OHL by Pomo
tuts workshop

Workshop #263: OHL by Pomo

This track has been submitted for your friendly, constructive criticism. What useful feedback can you give the artist? The floor is yours to talk about the track and how they can fix problems in and improve upon the mix and the song.

Description of the track:

This is a song about my kid moving out. His old room is now my studio and this is the inaugural song. Pretty simple, and perhaps a bit too personal for this but I want to use it to learn more about the mysteries of mixing, especially when it comes to EQ and dynamics, which I’m totally guessing at.

All instruments were played by me except drums. I used Logic 9, an M-Audio Mobile Pre interface, and an Axiom Pro 61 keyboard. I use some old Bang and Olufsen speakers for my monitors and VB3 for my Hammond sound.

Lyrics:

OLH

He hasn’t really gone too far
Away;
He came back for dinner in just four days.
But when he said goodbye I knew
It’s true
These days are gone for good.
He’s moving out, like any man,
But he’s not just any man,
He’s my son

Oliver’s gone, he’s left home, he’s packed up, driven off and he’s out on his own.
He’s moved on, it’s ok, he’s just a man out there trying to make his own way.

I have a picture when he’s two, leaning against Luke,
In the fall, picking pumpkins.
Now he can fix his car, and he’s got a paying job
In the arts, that’s something,
He’s turned out to be quite a man
And he’s not just any man He’s our son

Oliver’s gone, he’s left home, he’s packed up, driven off and he’s out on his own.
He’s moved on, it’s ok, now he’s a man out there trying to make his own way.

Bridge
Don’t forget to check the oil
Don’t forget to lock the doors
Don’t forget to call your mom
Don’t forget, don’t forget, don’t forget…

He’s gone, he’s moved on, he’s packed up, driven off and out on his own
He’s moved on, gone from this home,
like a bird he has flown from our home he has gone.

Oliver’s gone, Oliver’s gone, Oliver’s left this house and he’s out on his own
He’s gone, Oliver’s gone, Oliver’s gone…

I got his room, so I wrote this song.

Terms of Use: Users can stream the track for the purposes of giving feedback but cannot download or redistribute it.


Have a listen to the track and offer your constructive criticism for this Workshop in the comments section. Feel free to offer any type of advice – arrangement, mix, lyrics, performance. And remember to play nice – be constructive!

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  • Mike

    Great vocals but the guitars seem to get in their way. Sidechaining the guitar and vocals would help. I would also EQ the vocals a bit higher to make a brighter sound but this may just be a personal preference.

  • screenwright

    I agree that the acoustic guitar is fighting with the vocal. There’s also a key frequency on the ride and hi-hat cymbal that I would look at cutting; they are just coming through way too bright, causing them to stand out. I also agree that the vocal needs a little more “air”.

    I’m not sure that I would sidechain the guitar and vocals, though, as I think that would give it an odd kind of back and forth where every time the vocal drops the guitar comes up to take its place.

    Overall, the mix feels like it needs the exact opposite of that. I think what this type of song needs is more dynamic range and more contrast between sections. The mix feels crowded to me and maybe over-compressed. It feels like all of the instruments want to be heard all of the time and they all want to be loud. I think it needs some more “space”, particularly in the verses.

    I would consider solving these issues with arrangement and automation. If you can drop an instrument or strip it down during the verses, do it. Bringing that instrument back in on the chorus will give you dynamic contrast and make the song sound less flat.

    Use your automation to automate volume levels, but consider using it to automate things like EQ also. The acoustic guitar sounds great in the intro, but when the vocal comes in, it fights. Have one EQ setting for the intro, and another for the vocal sections and just fade between them. You might also use a low cut filter (or just remove the midi notes) on your B3 during the verses to cut some of the bottom, and then bring it back for the chorus.

    If you’re using bus compression, make sure it is subtle. Set to high, this can undo everything you are trying to do to add contrast and dynamics.

    Just my thoughts after listening to the track about three times. Hope something here helps.

  • PoMo

    Awesome feedback, guys! I really appreciate you taking the time to listen and comment. I will get on these suggestions right away and pull some stuff out of the mix via automation and eq.