In this series we will learn about altered chords and how we can use them to add harmonic interest to our music. Part 6 of the series will continue with the altered IV chord.
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In this series we will learn about altered chords and how we can use them to add harmonic interest to our music. Part 6 of the series will continue with the altered IV chord.
(Continue)
It’s 3:30 in the afternoon when your phone rings. The head of a music library is calling and she needs your help. They have a commercial for an A-list client that needs music, and they want you to submit an entry. You’ll get $10,000 if you land the gig.
Oh, and it’s due by 5:00.
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In this series we will learn about altered chords and how we can use them to add harmonic interest to our music. Part 5 of the series will continue with the altered VII chord.
(Continue)
Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in 2009.
Tremolo was always one of those plug-ins that my eyes completely skipped past. It wasn’t until some experimenting and tips from other composers that I began to see the potential behind this simple device.
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In this series we will learn about altered chords and how we can use them to add harmonic interest to our music. Part 4 of the series will continue with the altered III chord.
(Continue)
Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in September 2008.
Creating custom sampled instruments using Logic’s EXS24 Software instruments that come jam packed with presets can be bittersweet; there are hundreds of ready-made sounds instantly available at your fingertips, but within months of an instrument’s release the patches become hackneyed and commonplace. What you may have thought was a unique and exciting instrument can soon become the very sound that makes your music feel just like everything else.
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Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in September 2008.
The ostinato pattern is a staple of modern music; across every genre you’ll find countless examples of pieces that at their core revolve around a single repeating ostinato pattern.
In this tutorial we’ll look at how to create an ostinato pattern from a simple outline, give it a unique and intriguing sound, and use this pattern as a basic building block for creating your own original compositions.
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This is the third article in a seven part series on altered chords. In the first part I explained that by lowering or raising a tone of a chord by a half step you can change the color and function of a chord.
Part 1 look at altered V chords, and Part 2 at altered II chords. We will continue the series by exploring various ways to alter the VI chord.
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In this series we will learn about altered chords and how we can use them to add harmonic interest to our music. Part 2 of the series will continue with the altered II chord.
(Continue)
We always get a lot of comments when we ask about music theory tuts. Obviously a lot of you are interested! Here’s a new series of harmony theory tuts from Ryan Leach, that not only shows you how to create more interesting chords, but also explains how and why.
In this series we will learn about altered chords and how we can use them to add harmonic interest to our music. Part 1 of the series will begin with the altered V chord.
(Continue)
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