In the last tutorial on sci-fi vehicle sound design, we programmed the Combinator to control three main elements on both synths: Volume, Filter and LFO. By modulating these parameters over time, we can create realistic sound effects, which stimulate both the perspective of the sound source and the perceived speed of the vehicle. In the next part of this series, I’ll be creating an additional modulation effect that will enhance the overall character of the sound.

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Continuing on from my last tutorial on creating synthesised tones for sci-fi vehicles with Reason, the following example will demonstrate further sound modulation control using the Combinator. In the previous tutorial, we created the fundamental tone, shape and character of our vehicle sound through sound synthesis, layering and processing. If you have not already read this tutorial, you can find it at the following link:

Part 1 – Creating Tones

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