One of the many excellent new features of Logic Pro 9 is Varispeed. Varispeed gives you the ability to speed up and slow down your projects — not just a single instrument, but the entire project can be instantly tempo-shifted. Let’s look at how it’s done.

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Auto-tuned vocals are a cool effect have become a standard technique in popular music. The sound can be heard all over pop and electronica from the last decade. A variety of artists use it, from T-Pain to Cher, and even the J-Pop band Perfume from West’s Polyrhythm tutorial. Even President Obama has gotten in on it (well, sort of…).

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This tutorial will help you to stop looking at your gate plug-ins as boring noise removal tools and get you using them as creative tools and effects.

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When I was thirteen years old, I decided to teach myself guitar because I loved the way that modern-day guitar heroes (by which I do not mean your chubby ten year old playing with a fake guitar and an Xbox) improvised what seemed like complicated lead pieces on the spot. After hearing the guitar solo Slash played in Sweet Child O’ Mine, I all but forgot to practice chords in search of the ability to play like that.

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This is the second part in a series of screencasts about subtractive synthesis. In this part we take a close look at modulators, LFOs and external controllers. Hope fully these two tutorials will give you a basic all round knowledge of a standard subtractive synthesiser.

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The basic rhythm track drives the song forward, and everything else
builds upon it. You may have written your song on an acoustic
guitar and laid that down first, but drums are usually the backbone
of a song, keeping everything well structured and grooving. But what
if you don’t know how to record drums? Or you end up with
someone’s recording that’s so bad that you’d rather tap pencils
on your desk. Drum replacement may be an option.

Recently we showed you how to use Logic Pro 9’s Drum Replacer. This tutorial covers a technique that allows you to fix drum tracks by replacing the drums using previous versions on Logic.

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Logic Pro 9 introduced the “Flex Time” feature which is a set of tools for manipulating audio rhythm and timing data the way you would edit MIDI. I’m going to be covering Flex Time in detail and how you can use it in detail, but in this tutorial we’ll get our feet wet with some basic audio quantization.

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Reason 4 is a brilliant synth-creating tool. The Thor Polysonic Synthesizer is one of the most powerful synths about and this tutorial will explain the basics of using it to create a massive trance lead synth patch.

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iTunes is a straightforward and simple application for organizing and listening to music. You probably don’t need someone to explain to you how it works. But there are a few unique features of iTunes that a lot people don’t take advantage of. If you’re a composer/producer/songwriter with a lot of music to keep track of, getting the most out of iTunes can vastly improve your workflow.

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Drum replacement is a tool that comes in handy when recorded drums just won’t work with the rest of the track. Whether that’s because of a badly placed mic or the wrong kit was recorded, technology has made it easy to swap in some more appropriate samples while retaining the dynamic characteristics of the original recording. I’ve long wished that Logic would adopt drum replacement abilities like those Pro Tools has, and with Logic Pro 9 it did — and it does it much better, too.

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