The use of arpeggiators in modern electronic music is as popular as ever. Hardware synthesizers such as the Access Virus, Nord Lead, Waldorf Q, and Novation Nova have long been popular in electronic music for their unique sound, extensive programming matrices and step-sequencing and arpeggiation functionality. While several third-party soft-synths have robust arpeggiation and step-sequencing functionality, none of the synthesizers in Logic Studio have this feature.
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Compression can be a pretty confusing subject. With so much jargon and literally thousands of different compressors to choose from it’s no wonder some less experienced producers get a little stumped from time to time.
One area of compression that appears to remain a mystery to some is that of buss compression. This is one that I’m asked about a lot, so let’s take a look at the ins and outs of the process and shed some light on the subject.
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This tutorial is actually based on a request that someone made in a tutorial about synth-based effects. Creating noise-based rises and drops for dance mixes is something I get asked about a lot so I though this maybe helpful to some of you.
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In this segment of our mix down tutorial, we are going to begin to look in depth into depth. Depth within any mix and listening situation is paramount to proper sonic understanding. Much like we see in 3D, we hear in 3D and taking out any one of these dimensions only serves to create a flat and unnatural sound. As such, the most common tools which give the illusion of depth (reverb and delay) become an important and necessary part of mixing.
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Using loops in productions is great but sometimes they can become a little static in nature. You can perform cuts, edits and even use automation to spice things up but occasionally I like to spread the loops across multiple tracks to make things more interesting.
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Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in 2009.
Tremolo was always one of those plug-ins that my eyes completely skipped past. It wasn’t until some experimenting and tips from other composers that I began to see the potential behind this simple device.
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Last AES convention I met a manufacturing rep for a very prestigious equipment company. He was demoing a piece of equipment for me, showing me all the great knobs and buttons that it had to offer. Then he said something along the lines of, “We don’t include a screen for these things since you’re supposed to mix with your ears.” That’s when I took my exit stage left. I think imposing a viewpoint like that is just plain wrong.
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Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in April 2009.
The Environment is the core of Logic. It can be the cause of a lot of confusion (and even fear!) for new and even more experienced Logic users. In the first of three tutorials that focus on the Environment I’m going to explain exactly what the Environment is and why it makes Logic the most flexible and advanced MIDI sequencing package on the market.
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Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in September 2008.
Creating custom sampled instruments using Logic’s EXS24 Software instruments that come jam packed with presets can be bittersweet; there are hundreds of ready-made sounds instantly available at your fingertips, but within months of an instrument’s release the patches become hackneyed and commonplace. What you may have thought was a unique and exciting instrument can soon become the very sound that makes your music feel just like everything else.
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Logic Pro’s Sculpture is a completely unique modelling synth, and if used correctly can create dynamic and extremely professional sounds. Most people are deterred by Sculpture as it looks a bit scary. This tutorial breaks each section down and explains how it is used.
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If you've been thinking about recording music or dabbling in audio engineering, then kick-start the process by grabbing a copy of Björgvin's book and start learning how you can record great music with whatever equipment you've got!
Just getting started? Start with our basix tutorials on the fundamentals. View All Basix Tutorials
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