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Mixing & Mastering

Quick Tip: Reaper Rendering for High Quality Mixdown

Quick Tip: Reaper Rendering for High Quality Mixdown

In this quick tip, you will learn how to do rendering in Reaper. This is written for new Reaper users. The objective is to have a high quality resolution rendering suitable for audio mastering. This will be useful if you like to submit your Reaper mix for mastering.

Quick Tip: Mixing with Hearing Loss

Quick Tip: Mixing with Hearing Loss

Its safe to say that most of us do not have perfect hearing. Life is full of loud noises, concerts, and sometimes just bad luck that will damage our hearing. Whether your ears were naturally born with hearing loss or you hurt them in an accident, not all is lost! In this tutorial I will show you a few basic ways that you can mix to the fullest even when your ears do not cooperate.

How to Use Buss Compression

Compression can be a pretty confusing subject. With so much jargon and literally thousands of different compressors to choose from it’s no wonder some less experienced producers get a little stumped from time to time.

One area of compression that appears to remain a mystery to some is that of buss compression. This is one that I’m asked about a lot, so let’s take a look at the ins and outs of the process and shed some light on the subject.


This entry is part 3 of 17 in the Creative Session: All About Compression Session
3D Mixing Part 6: Depth

3D Mixing Part 6: Depth

This entry is part 6 of 6 in the series 3D Mixing

In this segment of our mix down tutorial, we are going to begin to look in depth into depth. Depth within any mix and listening situation is paramount to proper sonic understanding. Much like we see in 3D, we hear in 3D and taking out any one of these dimensions only serves to create a flat and unnatural sound. As such, the most common tools which give the illusion of depth (reverb and delay) become an important and necessary part of mixing.

4 Things You Can’t Afford to Stop Doing While Compressing

4 Things You Can’t Afford to Stop Doing While Compressing

Compression is a complicated subject. But if you follow a few simple things, you can easily work any compressor and make every signal sound better. The trick to great compression is making use of every parameter, critically listening to what you’re doing, not over-compensating the gain and go back and forth between signals to compare. If you’re not making the signal better, why bother compressing in the first place?


This entry is part 1 of 17 in the Creative Session: All About Compression Session
Why You Should Use Metering Tools while Mixing and Mastering

Why You Should Use Metering Tools while Mixing and Mastering

Last AES convention I met a manufacturing rep for a very prestigious equipment company. He was demoing a piece of equipment for me, showing me all the great knobs and buttons that it had to offer. Then he said something along the lines of, “We don’t include a screen for these things since you’re supposed to mix with your ears.” That’s when I took my exit stage left. I think imposing a viewpoint like that is just plain wrong.

How to Mix Pad & String Sounds to Create an Atmospheric Backdrop

Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in October 2008.

Following my tutorials on creating a house drum track and making electronic basslines, we now come to the next stage of producing our virtual track, adding a pad and strings.

Quick Tip: Mixing With Your Eyes Closed

Quick Tip: Mixing With Your Eyes Closed

Hey readers. I’ve been doing a lot of mixing for my company, Sunscape Productions, and I’ve stumbled onto an approach that works really well for me, and that is: mixing with my eyes closed.

Yea, I know, that sounds kind of crazy, but it works! I’ve found that when I’ve got a song going in whatever DAW I’m using, and I have many tracks, level changes, panning, and effects, my eyes are distracted by all of the stuff going on. The important thing I realized is that this alters how you perceive things.


This entry is part 8 of 25 in the Creative Session: All About Mixing Session
A Basic Guide to Mixing and Mastering
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A Basic Guide to Mixing and Mastering

Mixing and mastering are the two base components of professional producing. Do you have a home studio and do you want to record your own instruments, such as the guitar, the piano and the drums to make an awesome track? This article provides all the knowledge considering mixing and mastering that you’ll need to produce your very own track!


This entry is part 1 of 13 in the Creative Session: All About Mastering Session
Quick Tip: Use Reason’s MClass EQ as a Creative Effects Tool

Quick Tip: Use Reason’s MClass EQ as a Creative Effects Tool

Today I will show you how to use Reason’s MClass equalizer as a powerful send effect. Everybody knows how to use an equalizer and how to boost or cut certain frequencies. But very few among them know how to use it as a creative tool. Let’s get started.

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