We’re going to look at some techniques you can use to add interest and variety to your track, and tidy up the rough edges. With all of the following techniques, it’s impractical to show you precise instructions on how to achieve each technique in your DAW, but all are basic facilities that any modern DAW will have: all you need to do is delve into the manual or, better yet, play with the buttons and find out.
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The use of arpeggiators in modern electronic music is as popular as ever. Hardware synthesizers such as the Access Virus, Nord Lead, Waldorf Q, and Novation Nova have long been popular in electronic music for their unique sound, extensive programming matrices and step-sequencing and arpeggiation functionality. While several third-party soft-synths have robust arpeggiation and step-sequencing functionality, none of the synthesizers in Logic Studio have this feature.
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One of the things I’ve become interested in lately is creating realistic sounds from samples. This basically means creating organic sounds as if they were recorded from a live performance or a naturally occurring sound phenomena from static and rather lifeless sounds or samples. This quick tip I am about to show you regarding kick drums can be extended to any drum sound or any other sound type for that matter.
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We’ve looked at the subject of side-chaining quite a few times in the past but there is one area of the subject that hasn’t been touched upon. Frequency dependent side-chaining is a process which allows us to home in on a specific frequency range for processing.
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One of the most important aspects in hip-hop and popular music is the drumbeat. What makes it sound so big? The drum patterns appear so simple, so why are they so hard to create? Well, in this tutorial, we’re going to break down the fundamental elements of a hip-hop beat.
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This short series of quick tips is designed to give you a good overview of the audio processing techniques involved in creating a professional sounding drum beat for use in house, electro and breaks in Cubase. In this final part we will look at a few ways to add even more life to your drums.
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Welcome to the second part of my series covering all you need to know to start recording your first song.
Last time around, we spent some time thinking about the reasons and methods behind home recording and looked at some bare rudiments or writing and arrangement. This month, we’re going to dive right in and run through some of the core techniques and methods that you’ll rely on in your productions.
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Nowadays making an arpeggio is a great way to add interest to your track. There are many plugins out there which can arpeggiate your chord sequence in numerous ways. Lots of patterns and tweakable parameters are at your disposal in order to customize your patterns.
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This short series of quick tips is designed to give you a good overview of the audio processing techniques involved in creating a professional sounding drum beat for use in house, electro and breaks in Cubase. In this part we will look at adding hi hats and percussion to our kick and snare drums.
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It’s 3:30 in the afternoon when your phone rings. The head of a music library is calling and she needs your help. They have a commercial for an A-list client that needs music, and they want you to submit an entry. You’ll get $10,000 if you land the gig.
Oh, and it’s due by 5:00.
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