Kicking off a new series of expanded, in-depth Basix tutorials, this is the first in a series of articles designed to guide you step-by-step through the process of setting up and using guitar amp simulation in your recordings.
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Kicking off a new series of expanded, in-depth Basix tutorials, this is the first in a series of articles designed to guide you step-by-step through the process of setting up and using guitar amp simulation in your recordings.
(Continue)
In the first part of Guitar Amp Simulators 101, we looked at the fundamentals of choosing, setting up and getting started with an amplifier plugin. In this second part, we’re going to get our hands dirty and really get to grips with how to get the best out of our software amps.
As before, and largely for the sake of practicality, I’m working primarily in Guitar Rig, but many of the techniques we’ll look at can be applied to whatever software you’re using. Feel free to share your own software specific tips and tricks in the comments!
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In the second part of Guitar Amp Simulators 101, we looked ways of using different amplifier, cabinet and microphone models, as well as some of the more advanced amplifier settings, to achieve specific goals in designing a guitar sound. In this third part, I’m going to guide you through some slightly more complex virtual guitar rigs, focussing on blending sounds and using more advanced cabinet and speaker modelling to achieve more realistic sounds.
As before, the focus is on Native Instruments’ Guitar Rig though, this time, I’ll include some 3rd party cabinet and microphone models, too. So grab your guitar, fire up your DAW, and let’s dive in!
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