The Process of Score Composition, Pt 1

This entry is part 1 of 4 in the series The Process of Score Composition

This tutorial marks the first in a series of tutorials on composition – specifically composition that might be appropriate for film and television. In this piece, we’ll talk a bit about the philosophy behind this particular series of tutorials, and get into the process of composition itself.

The Process of Score Composition, Pt 2

This entry is part 2 of 4 in the series The Process of Score Composition

This tutorial is the second in a series of tutorials on composition – specifically composition that might be appropriate for film, television, etc. The intention with this series of tutorials is to walk you through the process of one of my compositions. It is intended to offer some new ideas and perspectives and hopefully give a bit of creative inspiration, but by no means should it be considered definitive – even for my own personal compositional process.

The Process of Score Composition, Pt 3

This entry is part 3 of 4 in the series The Process of Score Composition

This tutorial is the third in a series of tutorials on composition – specifically composition that might be appropriate for film, television, etc. The intention with this series of tutorials is to walk you through the process of one of my compositions. It is intended to offer some new ideas and perspectives and hopefully give a bit of creative inspiration, but by no means should it be considered definitive – even for my own personal compositional process.

The Process of Score Composition, Pt 4

This entry is part 4 of 4 in the series The Process of Score Composition

This tutorial is the fourth and final installment in a series of tutorials on composition – specifically composition that might be appropriate for film, television, etc. The intention with this series of tutorials is to walk you through the process of one of my compositions. It is intended to offer some new ideas and perspectives and hopefully give a bit of creative inspiration, but by no means should it be considered definitive – even for my own personal compositional process.