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	<title>Comments on: Improve Your Mixes With This Critical Listening Exercise</title>
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	<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/</link>
	<description>Music, Sound &#38; Audio Tutorials</description>
	<lastBuildDate>Sat, 21 Nov 2009 15:15:44 -0800</lastBuildDate>
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		<title>By: Gregory</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-25768</link>
		<dc:creator>Gregory</dc:creator>
		<pubDate>Wed, 24 Jun 2009 20:45:16 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-25768</guid>
		<description>amazing article</description>
		<content:encoded><![CDATA[<p>amazing article</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: meme studios</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-7189</link>
		<dc:creator>meme studios</dc:creator>
		<pubDate>Tue, 13 Jan 2009 09:49:45 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-7189</guid>
		<description>thank you for these awesome and informative tips mark, but i have a question, i cant seem to find anything on this web site that tells me the difference in final mix between 48Hzand 44100 hz. I&#039;m working on reason and it exports as wav, then i put it into neundo 3, i try to ensure the project freq range and sample rates are the same as the reason wav, but it always seems to come out muffled. I&#039;ll try play with dynamics and eq. But your advice would be a great help</description>
		<content:encoded><![CDATA[<p>thank you for these awesome and informative tips mark, but i have a question, i cant seem to find anything on this web site that tells me the difference in final mix between 48Hzand 44100 hz. I&#8217;m working on reason and it exports as wav, then i put it into neundo 3, i try to ensure the project freq range and sample rates are the same as the reason wav, but it always seems to come out muffled. I&#8217;ll try play with dynamics and eq. But your advice would be a great help</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Profit From Community Creativity with AudioTuts &#171; castanet clap :: keeping time with my headphone masterpiece&#8230;</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-6734</link>
		<dc:creator>Profit From Community Creativity with AudioTuts &#171; castanet clap :: keeping time with my headphone masterpiece&#8230;</dc:creator>
		<pubDate>Thu, 08 Jan 2009 23:17:58 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-6734</guid>
		<description>[...] have everything from tutorials on how to start training your ear by listening critically to helping you decide which microphones are both cost-effective and efficient for your home studio. [...]</description>
		<content:encoded><![CDATA[<p>[...] have everything from tutorials on how to start training your ear by listening critically to helping you decide which microphones are both cost-effective and efficient for your home studio. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: SML</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-3757</link>
		<dc:creator>SML</dc:creator>
		<pubDate>Sat, 15 Nov 2008 04:34:09 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-3757</guid>
		<description>This is a great article. you mentioned many points I have read from other articles I have read, but having an audio example and the analysis side by side makes it much easier to understand without feeling that I should be using a spectrum analyzer on any of my mixes. :)</description>
		<content:encoded><![CDATA[<p>This is a great article. you mentioned many points I have read from other articles I have read, but having an audio example and the analysis side by side makes it much easier to understand without feeling that I should be using a spectrum analyzer on any of my mixes. <img src='http://audio.tutsplus.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Bobby Owsinski</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-3527</link>
		<dc:creator>Bobby Owsinski</dc:creator>
		<pubDate>Sun, 09 Nov 2008 22:34:24 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-3527</guid>
		<description>Thanks for the mention of my book, Mark.  I enjoyed your take on my take!

Best regards,
Bobby</description>
		<content:encoded><![CDATA[<p>Thanks for the mention of my book, Mark.  I enjoyed your take on my take!</p>
<p>Best regards,<br />
Bobby</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: iwiLetter.com</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-3423</link>
		<dc:creator>iwiLetter.com</dc:creator>
		<pubDate>Fri, 07 Nov 2008 05:14:59 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-3423</guid>
		<description>wow, I hadn&#039;t listened that closely to Billy Jean in........ever!  haha, a blast from the past.  Heaphones really bring out a lot of Panorama. 

Great exercise and info.</description>
		<content:encoded><![CDATA[<p>wow, I hadn&#8217;t listened that closely to Billy Jean in&#8230;&#8230;..ever!  haha, a blast from the past.  Heaphones really bring out a lot of Panorama. </p>
<p>Great exercise and info.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Drew</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-2938</link>
		<dc:creator>Drew</dc:creator>
		<pubDate>Fri, 24 Oct 2008 02:40:46 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-2938</guid>
		<description>Very decent read to skim... would like some tips on how to actually achieve a balanced frequency range though. Perhaps particular to Ableton Live.

More Ableton stuff in the future please!</description>
		<content:encoded><![CDATA[<p>Very decent read to skim&#8230; would like some tips on how to actually achieve a balanced frequency range though. Perhaps particular to Ableton Live.</p>
<p>More Ableton stuff in the future please!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ha Nguyen</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-2758</link>
		<dc:creator>Ha Nguyen</dc:creator>
		<pubDate>Tue, 21 Oct 2008 17:10:31 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-2758</guid>
		<description>Awesome tutorial! I love your website! It helps me alot! Thanks for your hard working!</description>
		<content:encoded><![CDATA[<p>Awesome tutorial! I love your website! It helps me alot! Thanks for your hard working!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Bobby Quine</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-2667</link>
		<dc:creator>Bobby Quine</dc:creator>
		<pubDate>Sun, 19 Oct 2008 00:03:09 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-2667</guid>
		<description>Nice explanations.  Critical listening is almost a must for artists who like to mix and master their own tracks.  Glad to have songs from &quot;Thriller&quot; recognized...the whole album is the pop-music blueprint.</description>
		<content:encoded><![CDATA[<p>Nice explanations.  Critical listening is almost a must for artists who like to mix and master their own tracks.  Glad to have songs from &#8220;Thriller&#8221; recognized&#8230;the whole album is the pop-music blueprint.</p>
]]></content:encoded>
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	<item>
		<title>By: Adam</title>
		<link>http://audio.tutsplus.com/tutorials/mixing-mastering/improve-your-mixes-with-this-critical-listening-exercise/#comment-2526</link>
		<dc:creator>Adam</dc:creator>
		<pubDate>Tue, 14 Oct 2008 13:16:32 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=704#comment-2526</guid>
		<description>very good article for setting the &#039;right mind&#039; when approaching a track. 

to be fair... not everyone is a &#039;musician&#039; or has ahd &#039;musical training&#039; so this is not always an &#039;instinct&#039; when your other senses may be consumed with learning your craft.</description>
		<content:encoded><![CDATA[<p>very good article for setting the &#8216;right mind&#8217; when approaching a track. </p>
<p>to be fair&#8230; not everyone is a &#8216;musician&#8217; or has ahd &#8216;musical training&#8217; so this is not always an &#8216;instinct&#8217; when your other senses may be consumed with learning your craft.</p>
]]></content:encoded>
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