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	<title>Comments on: Create a Stereo BPM-locked Delay Effect in Reason</title>
	<atom:link href="http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/feed/" rel="self" type="application/rss+xml" />
	<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/</link>
	<description>Music, Sound &#38; Audio Tutorials</description>
	<lastBuildDate>Sat, 21 Nov 2009 20:32:28 -0800</lastBuildDate>
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		<title>By: james</title>
		<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/#comment-7342</link>
		<dc:creator>james</dc:creator>
		<pubDate>Fri, 16 Jan 2009 00:41:39 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=33#comment-7342</guid>
		<description>awesom cuz</description>
		<content:encoded><![CDATA[<p>awesom cuz</p>
]]></content:encoded>
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	<item>
		<title>By: Christopher</title>
		<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/#comment-560</link>
		<dc:creator>Christopher</dc:creator>
		<pubDate>Tue, 12 Aug 2008 01:47:49 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=33#comment-560</guid>
		<description>@ Headphone Trib,
There are 100 ways to skin any cat. But that&#039;s for this info. Honestly we (as in our company Fallout Shelter/Reimagine) have been with reason since its inception 1.0. So yes their are many ways to get to the same destination, what I like about this is however is you have more control over the space as well as how fast and far it travels left to right. Plus this is quick and easy, and allows you to &quot;set it and forget it&quot;. The Areverb you really have to do some tweaking to the algorithm times to get a similar effect, I have used it and it produces an almost wild out of control rhythmic pulse that&#039;s hard to control. Thanks though I&#039;ll take a look at that book.</description>
		<content:encoded><![CDATA[<p>@ Headphone Trib,<br />
There are 100 ways to skin any cat. But that&#8217;s for this info. Honestly we (as in our company Fallout Shelter/Reimagine) have been with reason since its inception 1.0. So yes their are many ways to get to the same destination, what I like about this is however is you have more control over the space as well as how fast and far it travels left to right. Plus this is quick and easy, and allows you to &#8220;set it and forget it&#8221;. The Areverb you really have to do some tweaking to the algorithm times to get a similar effect, I have used it and it produces an almost wild out of control rhythmic pulse that&#8217;s hard to control. Thanks though I&#8217;ll take a look at that book.</p>
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	</item>
	<item>
		<title>By: Skellie</title>
		<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/#comment-535</link>
		<dc:creator>Skellie</dc:creator>
		<pubDate>Sat, 09 Aug 2008 15:04:08 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=33#comment-535</guid>
		<description>@ Headphone Tribe: I&#039;m kind of fascinated by the use of the collective &#039;we&#039; in your comment! How many people are writing? ;)</description>
		<content:encoded><![CDATA[<p>@ Headphone Tribe: I&#8217;m kind of fascinated by the use of the collective &#8216;we&#8217; in your comment! How many people are writing? <img src='http://audio.tutsplus.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
]]></content:encoded>
	</item>
	<item>
		<title>By: HEADPHONE TRIBE</title>
		<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/#comment-473</link>
		<dc:creator>HEADPHONE TRIBE</dc:creator>
		<pubDate>Mon, 04 Aug 2008 17:31:03 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=33#comment-473</guid>
		<description>We would like to add that an often overlooked stereo delay device is the Advanced Reverb.  And once you start using it instead of the DL-1 you&#039;ll remember why you love delay/echo and reverb. A stereo delay sounds far better than what the DL-1 can do alone, but still love the DL-1 for situating delay in a specific area of the audio field, panning across it, or added automation. Sometimes we all hate to read a technical reference guide, but if you&#039;re up to it, you can find a alot of useful tips and tricks using delay in &quot;Reason 3 OVERDRIVE&quot; BY C.L. Martin.  We always thought we knew all there was to know about Reason 3.0 until we read this book.</description>
		<content:encoded><![CDATA[<p>We would like to add that an often overlooked stereo delay device is the Advanced Reverb.  And once you start using it instead of the DL-1 you&#8217;ll remember why you love delay/echo and reverb. A stereo delay sounds far better than what the DL-1 can do alone, but still love the DL-1 for situating delay in a specific area of the audio field, panning across it, or added automation. Sometimes we all hate to read a technical reference guide, but if you&#8217;re up to it, you can find a alot of useful tips and tricks using delay in &#8220;Reason 3 OVERDRIVE&#8221; BY C.L. Martin.  We always thought we knew all there was to know about Reason 3.0 until we read this book.</p>
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	<item>
		<title>By: Mr. Tunes</title>
		<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/#comment-464</link>
		<dc:creator>Mr. Tunes</dc:creator>
		<pubDate>Sun, 03 Aug 2008 19:21:38 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=33#comment-464</guid>
		<description>a good tutorial for beginners, but i like to think of myself as a seasoned Reason-ist and even i picked up a good tip from this. cause i&#039;ve always found the DL-1 to be a really strange device. even on low settings it sends a lot of feedback and delay signals. i guess it&#039;s good to use it as an aux, as well do the panning trick to get the most out of it.

what i did to build on this tutorial in my rack was i added a phaser and a scream device to see how i could mess up the delay a little, and you can start to move into that vintage tape delay sound if you add more effects(like ohmboys/line6 green pedal thing).</description>
		<content:encoded><![CDATA[<p>a good tutorial for beginners, but i like to think of myself as a seasoned Reason-ist and even i picked up a good tip from this. cause i&#8217;ve always found the DL-1 to be a really strange device. even on low settings it sends a lot of feedback and delay signals. i guess it&#8217;s good to use it as an aux, as well do the panning trick to get the most out of it.</p>
<p>what i did to build on this tutorial in my rack was i added a phaser and a scream device to see how i could mess up the delay a little, and you can start to move into that vintage tape delay sound if you add more effects(like ohmboys/line6 green pedal thing).</p>
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	<item>
		<title>By: SoundOfPhilly</title>
		<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/#comment-459</link>
		<dc:creator>SoundOfPhilly</dc:creator>
		<pubDate>Sat, 02 Aug 2008 22:00:09 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=33#comment-459</guid>
		<description>Thanks for the info...better to know than not.</description>
		<content:encoded><![CDATA[<p>Thanks for the info&#8230;better to know than not.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Christopher</title>
		<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/#comment-455</link>
		<dc:creator>Christopher</dc:creator>
		<pubDate>Sat, 02 Aug 2008 18:50:22 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=33#comment-455</guid>
		<description>THanks for the comments,

@ Eric I am not the biggest fan of the rex either. I do like to make more organic sounds, but for this it would have proved too difficult to show all the key strokes on a synth. 

Thanks!</description>
		<content:encoded><![CDATA[<p>THanks for the comments,</p>
<p>@ Eric I am not the biggest fan of the rex either. I do like to make more organic sounds, but for this it would have proved too difficult to show all the key strokes on a synth. </p>
<p>Thanks!</p>
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	<item>
		<title>By: Eric Shafer</title>
		<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/#comment-452</link>
		<dc:creator>Eric Shafer</dc:creator>
		<pubDate>Sat, 02 Aug 2008 02:23:08 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=33#comment-452</guid>
		<description>Nice...its interesting yet straightforward, but it&#039;s not just one of those simple effects that doesn&#039;t require any work.  I hate that Dr. Rex loop though, but the end result isn&#039;t half bad for using all stock sounds.</description>
		<content:encoded><![CDATA[<p>Nice&#8230;its interesting yet straightforward, but it&#8217;s not just one of those simple effects that doesn&#8217;t require any work.  I hate that Dr. Rex loop though, but the end result isn&#8217;t half bad for using all stock sounds.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Snorri3D</title>
		<link>http://audio.tutsplus.com/tutorials/production/create-a-stereo-bpm-locked-echo-effect-in-reason/#comment-446</link>
		<dc:creator>Snorri3D</dc:creator>
		<pubDate>Fri, 01 Aug 2008 18:05:02 +0000</pubDate>
		<guid isPermaLink="false">http://audiotuts.com/?p=33#comment-446</guid>
		<description>nice 1</description>
		<content:encoded><![CDATA[<p>nice 1</p>
]]></content:encoded>
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