How to Create Breakdowns

Jul 10th in Logic Pro, Production by Mo Volans

When it comes to creating a breakdown in your project there are literally endless possibilities, so there really is no definitive method here. My first screencast tutorial demonstrates one way that this hurdle can be approached and hopefully demonstrates some useful techniques using automation, effects and editing.

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Author: Mo Volans

Mo Volans has been releasing tracks for well over a decade with many of the world's top electronic labels. Having worked with a long list of high profile artists, he has enjoyed top ten success on numerous of occasions. Mo records under the names MoHawk, Twisted Air, and Openair and also writes music for TV and film. 
Mo is also a prolific writer and journalist writing for publications such as Music Tech, Remix mag and EQ.

This tutorial continues constructing the house track that some of my other tutorials have used. Although I say in the first two parts there will be 4 or 5 videos the last one ran to 15 minutes so there are 3 in total. As this is my first screencast I'm more than open to suggestions on making future attempts clearer and easier to follow!

Step 1 - Introduction

This first video simply introduces the screencast and talks a little bit about the track so far and the elements involved. I also explain what we are aiming for and how we'll go about doing it.

As you can see this whole tutorial is completed in Logic and uses only Logic plug-ins so Logic users can load it. Obviously this will alienate some people but I had to choose one DAW and the methods used can be applied to any software so this shouldn't pose too much of a problem.

Step 2 - Preparing for the Breakdown

This second video describes the methods I used to prepare the piece for the breakdown. It covers using effects sends, filters and automation to create anticipation so that the listener is ready for the change in mood.

This section also shows how using reverb and delay tails can be the first building blocks for an ambient break down.

Step 3 - Constructing the Breakdown

This final section shows you every single element I used to construct the entire breakdown. I run through each part in detail explaining how it has been created, mixed and blended.

This section is pretty long and covers many subjects including MIDI, mixing, effects and automation. Hopefully this will help equip you to create your own breakdowns and lend some inspiration.


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User Comments

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    Rob Griffith July 10th

    Fascinating. Thanks for that

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    123 July 10th

    How can i load the logic project ?

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      Mo Volans July 11th

      Hey 123 its not been uploaded but I’ll get it to Joel and I’m sure he’ll make it available for download. watch this space ;)

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    the Nomaly July 11th

    I’m an FL Studio User but there was no alienation here. Great tutorial, shows that there’s a lot you can do with eq/filter automation.

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    andi July 11th

    Awesome

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    Luca Brasi July 11th

    Great article! The videos really give the best understanding whats going on. We are all so grateful to you!

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    andi July 12th

    Seriously, this is so great, thanks Mo. I’m not new to production by any means, but when somebody better than me is giving out help & advice I lap it up.

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      Mo Volans July 12th

      Really glad its helped you Andi… should be plenty more screencasts from me down the line.

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    edward c July 12th

    great tut. I noticed that you use the adlimiter on output one and two. Is this recomended for big tracks like this. Ive been using it on all my tracks turning the faders down low and boosting the output signal with it to get the right volume. Im still not sure if this is the right approach? is is ok to have it switched on while you are mixing the track? It would be great if you could give a quick explanation of how you use it.

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      Mo Volans July 15th

      The Ad limiter is being used as a brickwall mastering limiter on the main outputs, to increase the overall volume of the mix.

      Although you can use limiters on individual mix tracks i would be certain you know what you are doing here, as you can effect the dynamics of your sounds if things are pushed too hard.

      A good start would be to read my tutorial on here about limiting …

      http://audio.tutsplus.com/tutorials/mixing-mastering/a-beginners-introduction-to-limiters/

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    kev on music July 13th

    Mo, great start with screencasts!!:)

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    Toby July 17th

    I agree, nice work with the screencast Mo! When I actually get some spare time I can hopefully get another done too!!!

    Good idea spliting them up too. :)

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    Eric July 18th

    Love to see things I know or should know, getting explained to me again in a very clear and informative way! Thanks Mo!

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    Fluff July 19th

    Cheers. Very informative and helpful.

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    dan djorgi August 1st

    Great screencast! Providing lots of knowledge and great creative inspiration. Thanks!

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    Walkman October 4th

    Great tutorial. I was wondering, how do you make those woosh-effects, which sounds like a white noise with an opening cutoff filter? It’s used a lot in dance music, especially for build-ups, but I can’t really figure out how to do it.

    Thanks

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