How to Create Breakdowns

When it comes to creating a breakdown in your project there are literally endless possibilities, so there really is no definitive method here. My first screencast tutorial demonstrates one way that this hurdle can be approached and hopefully demonstrates some useful techniques using automation, effects and editing.

This tutorial continues constructing the house track that some of my other tutorials have used. Although I say in the first two parts there will be 4 or 5 videos the last one ran to 15 minutes so there are 3 in total. As this is my first screencast I’m more than open to suggestions on making future attempts clearer and easier to follow!

Step 1 – Introduction

This first video simply introduces the screencast and talks a little bit about the track so far and the elements involved. I also explain what we are aiming for and how we’ll go about doing it.

As you can see this whole tutorial is completed in Logic and uses only Logic plug-ins so Logic users can load it. Obviously this will alienate some people but I had to choose one DAW and the methods used can be applied to any software so this shouldn’t pose too much of a problem.

Step 2 – Preparing for the Breakdown

This second video describes the methods I used to prepare the piece for the breakdown. It covers using effects sends, filters and automation to create anticipation so that the listener is ready for the change in mood.

This section also shows how using reverb and delay tails can be the first building blocks for an ambient break down.

Step 3 – Constructing the Breakdown

This final section shows you every single element I used to construct the entire breakdown. I run through each part in detail explaining how it has been created, mixed and blended.

This section is pretty long and covers many subjects including MIDI, mixing, effects and automation. Hopefully this will help equip you to create your own breakdowns and lend some inspiration.

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Discussion 17 Comments

  1. Rob Griffith says:

    Fascinating. Thanks for that

  2. 123 says:

    How can i load the logic project ?

  3. the Nomaly says:

    I’m an FL Studio User but there was no alienation here. Great tutorial, shows that there’s a lot you can do with eq/filter automation.

  4. andi says:

    Awesome

  5. Luca Brasi says:

    Great article! The videos really give the best understanding whats going on. We are all so grateful to you!

  6. andi says:

    Seriously, this is so great, thanks Mo. I’m not new to production by any means, but when somebody better than me is giving out help & advice I lap it up.

  7. edward c says:

    great tut. I noticed that you use the adlimiter on output one and two. Is this recomended for big tracks like this. Ive been using it on all my tracks turning the faders down low and boosting the output signal with it to get the right volume. Im still not sure if this is the right approach? is is ok to have it switched on while you are mixing the track? It would be great if you could give a quick explanation of how you use it.

  8. kev on music says:

    Mo, great start with screencasts!!:)

  9. Toby says:

    I agree, nice work with the screencast Mo! When I actually get some spare time I can hopefully get another done too!!!

    Good idea spliting them up too. :)

  10. Eric says:

    Love to see things I know or should know, getting explained to me again in a very clear and informative way! Thanks Mo!

  11. Fluff says:

    Cheers. Very informative and helpful.

  12. dan djorgi says:

    Great screencast! Providing lots of knowledge and great creative inspiration. Thanks!

  13. Walkman says:

    Great tutorial. I was wondering, how do you make those woosh-effects, which sounds like a white noise with an opening cutoff filter? It’s used a lot in dance music, especially for build-ups, but I can’t really figure out how to do it.

    Thanks

  14. TheMessenger says:

    Mo Volans you’re THE sh** man!!!
    All your tutorials are awesome and really open my way on how to see things!

    Thank very much and just keep going, please just keep going…

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